“WE WOL BEEN AT OURE LARGE”

THE WIFE OF BATH THROUGH THE LENS OF FEMINISM

Authors

  • Ana Luiza Souza Tavares UERN

Keywords:

The Wife of Bath, The Canterbury Tales, contemporary feminism, female literary representation

Abstract

This article revisits its author monograph, and it aims to answer the question of which of the Wife of Bath’s actions and speeches resemble contemporary feminism’s beliefs and criticism. This is because the things the character says and does break multiple stereotypes and show many similarities to some of the ideas discussed by feminism, despite the fact that she exists in misogynistic 14th century society. The goal then is to describe female representation in the character’s Prologue and Tale, as well as identify similarities between her speech and actions and feminism, taking care, however, not to commit anachronism. It is a relevant work, since it allowed the affirmation that, despite the Middle Ages’ strong sexist and patriarchal context, it is still possible to find resisting attitudes from women, even if subtle or controversial. Due to its qualitative nature, the analysis showed that the Wife of Bath aligned with the feminist movement but concomitantly went against it. By the end of the study, it was not possible to label her as either “antifeminist” or “protofeminist”, since she positions herself in both converging and diverging positions in relation to the movement’s beliefs.

Downloads

Download data is not yet available.

Author Biography

Ana Luiza Souza Tavares, UERN

Mestra em Ciências da Linguagem, na linha de pesquisa Literatura, Cultura e Representação, pelo Programa de Pós-Graduação em Ciências da Linguagem (PPCL) da Universidade do Estado do Rio Grande do Norte (UERN). Estuda as representações da figura feminina na literatura. Graduada em Letras – Língua Inglesa e suas Respectivas Literaturas pela Universidade do Estado do Rio Grande do Norte (UERN).

References

ARMSTRONG, Nancy. What feminism did to novel studies. In: ROONEY, Ellen (Org.). The Cambridge Companion to Feminist Literary Theory. 1. ed. Cambridge: Cambridge University Press, 2006. p. 99-109.

CARRUTHERS, Mary. The Wife of Bath and The Painting Of Lions. In: EVANS, Ruth; JOHNSON, Leslie (Org.). Feminist Readings in Middle English Literature: The Wife of Bath and all her sect. 1. ed. New York: Routledge, 2005. p. 21-51.

CHAUCER, Geoffrey. Os Contos de Cantuária. Tradução de Paulo Vizioli. 1. ed. São Paulo: T. A. Queiroz, 1991.

CHAUCER, Geoffrey. The Canterbury Tales. 1. ed. London: Penguin Books, 2003. Translated into Modern English by Nevill Coghill.

DONOVAN, Josephine. Feminist Theory: The Intellectual Traditions. 3. ed. New York: Continuum, 2006.

EAGLETON, Mary. Introduction. In: EAGLETON, Mary. (Org.). A Concise Companion to Feminist Theory. 1. ed. Oxford: Blackwell Publishing, 2003. p. 1-10.

EVANS, Ruth; JOHNSON, Leslie. Introduction. In: EVANS, Ruth; JOHNSON, Leslie. (Org.). Feminist Readings in Middle English Literature: The Wife of Bath and all her sect. 1. ed. New York: Routledge, 2005. p. 1-20.

MANN, Jill. Feminizing Chaucer. 2. ed. Cambridge: D. S. Brewer, 2002.

MILLETT, Kate. Política Sexual. 2. ed. Lisboa: Publicações Dom Quixote, 1970.

MORTIMER, Ian. The Time Traveler’s Guide to Medieval England – A Handbook for Visitors to the Fourteenth Century. 1. ed. New York: Touchstone, 2008.

PERROT, Michelle. Minha história das mulheres. Tradução de Ângela M. S. Corrêa. São Paulo: Editora Contexto, 2007.

ROONEY, Ellen. Introduction. In: ROONEY, Ellen. (Org.). The Cambridge Companion to Feminist Literary Theory. 1. ed. Cambridge: Cambridge University Press, 2006. p. 1-28.

ROONEY, Ellen. The literary politics of feminist theory. In: ROONEY, Ellen. (Org.) The Cambridge Companion to Feminist Literary Theory. 1. ed. Cambridge: Cambridge University Press, 2006. p. 73-95.

SCANLON, Larry. Geoffrey Chaucer. In: SCANLON, Larry. (Org.). The Cambridge Companion to Medieval English Literature 1100-1500. 1. ed. New York: Cambridge University Press, 2009. p. 165-178.

SCASE, Wendy. Re-inventing the vernacular: Middle English language and its literature. In: SCANLON, Larry. The Cambridge Companion to Medieval English Literature 1100-1500. Cambridge University Press: New York, 2009. p. 11-24.

SHOWALTER, Elaine. Feminist Criticism in the Wilderness. Critical Inquiry, Chicago, v. 8, n. 2, Writing and Sexual Difference, 1981, p. 179-205.

TAVARES, Ana Luiza Souza. “We wol been at oure large”: o Conto da Mulher de Bath sob a ótica do feminismo contemporâneo. 2020.72p. Monografia (Graduação em Letras Língua Inglesa e suas Respectivas Literaturas) – Faculdade de Letras e Artes, Universidade do Estado do Rio Grande do Norte. Mossoró, 2020.

WEIL, Kari. French feminism’s écriture feminine. In: ROONEY, Ellen (Org.). The Cambridge Companion to Feminist Literary Theory (org). 1. ed. Cambridge: Cambridge University Press, 2006. p. 153-171.

Published

2025-12-30

How to Cite

SOUZA TAVARES, Ana Luiza. “WE WOL BEEN AT OURE LARGE”: THE WIFE OF BATH THROUGH THE LENS OF FEMINISM. COLINEARES, Mossoró, Brasil, v. 10, n. Único, p. 77–91, 2025. Disponível em: https://periodicos.apps.uern.br/index.php/RCOL/article/view/5701. Acesso em: 27 jan. 2026.

Similar Articles

1 2 3 > >> 

You may also start an advanced similarity search for this article.